Beauty Tips

The Books: Stained Glass by Sally Richards'Stained 'Glass' is a good title for this collection with a bruised ex-convent girl, now a graceful Shropshire poet in whose voice has been silenced more often than once by the emotional trammels of life on the way. To borrow a stanza in the book... She's been through a lotbeen turn off, lost the plotlost some associated with her hairdown the plug. But nowadays, the introduction to this guide tells us, 'the fragments are returning together'. Sally Richards is greatly a product of the wealthy and beautiful landscape she was raised in and is known in Shropshire on her poetic treatments of favourite organic landmarks. Her work has appeared in a number of regional publications and on nearby radio. I think of her are 'delicate' and 'light' but there's nothing frivolous or superficial about this. She has the ability in order to weave words, with minimal punctuation, in a manner that seems weightless on the attention, on the page - however the message they carry is because clear as cold steel. With this collection a narrator tells all of us that... Just as the softness associated with reflected treesbegins to lull her right into a painless placedark descends, a various light callsThis poet's love associated with landscape is both lusty as well as intimate - almost confidential. The poems tend to be more often conversations with natural features than descriptions of these. I really enjoyed the recommendations of leaping and tumbling within her treatment of 'The drops: Pistyll Rhaeadr' which ends upward, as anything touching that water would need to do, in the pool underneath the falls: energy spent, quelled; now submissivetranquillitypeacebut the reader isn't to be left in serenity. The poem ends: eyes travel upwards using the sound of youconstant, defiant, persistent. The book isn't all organic landscapes though - many problems, human and otherwise are symbolized. My favourite - the poetry that first brought Sally Richards' capacity to my attention, is 'The Journey' but I'm not likely to tell you what it's regarding. It is such a pleasure to see it and work it out while you follow the ancient and magical pathways from the lines. I will end my review having a recommendation, again in Richards' phrases. This from 'Shell'... Listen, you might hear the soulful melodylala los angeles la lala la la turning upwardslala la la tormented notesfrom another place, another time. - but don't try to escape with the idea that Richards is actually overly lost or distressed: She has a keen eye along with a sharp pen which provides you with pause for thought on numerous topics. If the joy of your own favourite landscape or the tingling exhilaration of personal love fill you with trepidation in addition to joy, try 'Stained Glass' and let Richards show you along the paths of the actual human heart. cui bono? by Steve MannSteve Mann writes lucidly and just about the chaotic over-stimulation that people human beings must attempt to reside with. The pages of cui bono? plummet and soar between visions from the numinous and a humiliating close-up of a bathroom floor. Mann strikes me since the victim of an avalanche, unselfishly providing reassuring flashes associated with intelligence and humour to his peers because they tumble and roll through existence. Maybe the key to the book is within indecent exposure which paints an image of one who is terrifyngly left to complete what he can, finding themself ad-libbing into.... indecent exposure, craving a McCarthy or perhaps a Robespierre to silence him - however on the next page, a humble and appreciative ode to all of the birds that appear throughout a day in rural Britain. Romance, but still bearing signs associated with tragedy dashed with humour - the knock of the woodpecker on a tree is interpreted as emerge, be eaten, now! and since the heron sweeps towards the water, her supper waits for life's period fully turning. The message I discovered in this book is the startling contrast between your chaos we find when we thrash around inside our thoughts, and the peace that may be experienced whenquiet opens to the actual out-side world the windowWe can be found a tiny hero in Awaiting Gulliver. Facing the enemies that stalk through this book, through psychiatrists wielding drugs and jolts to serial child killers, and also the plentiful proud who excrete bio-live yogurt Against enemies for example these, our hero is anExpendablewhite soldierfighting infectionsin the actual boilsof the overboiledThe poems address figures from the past, famous and unknown - the person in the hands of archaeological scientists, known only by such things as the kind of pollen in his colon. We speak with dragons, to Gellert the trustworthy hound, to Nietzche, and towards the hills of Shropshire: All having a wink and a smile, as well as an acceptance of life's question and terror. Despite the baffling selection of vocabulary, despite the frequent allusions in order to sickness and death, Mann's poetry are neither difficult nor dismal. I am reminded of a writer on the workshop forum, exasperated by the actual complications of someone's lines, exclaiming 'it's not said to be a crossword puzzle! ' Mann is never complicated for the reason that manipulative way. The stream associated with references and verbal acrobatics acts to confound the intellect as well as cast it aside, thus revealing 'the royal road' towards the heart of things. The only thing that's complicated is trying to speak about the poems, which caused me to consider, cui bono? - despite the truth that I'm a bit vague by what it means. I didn't bother to visit look it up. I just continued and enjoyed the poems. Plus they are extremely enjoyable. This book is really a treasure - go read! The Release: 22 Betterton StreetIf you've ever had anything related to poetry in the UK you'll likely recognize this address. It's the house of the Poetry Society within Covent Garden. I've written it on envelopes full of my hopeful submissions so often. Never having visited, I developed a strangely romantic concept of what must be there, in the centre of all things graceful. So when I received an invitation to some Survivors poetry launch at which magic address, what did We expect? A high altar? Crimson curtains? Nope, it's a humorous little back-street café that would seat twenty in a push and, like poetry venues around the world, the café -bar is run such as the refreshments stall at a chapel bazaar. They'd actually run from ingredients for meals by time we arrived and Sally's friends from Shrewsbury needed to make do with bread and cheese for his or her long-awaited supper. Downstairs, an odd range of chairs and some cobbled together curtains happen to be employed to make the basement right into a performance area and again, like poetry venues around the world, they haven't yet learned that you simply shouldn't stomp around upstairs collecting crockery when people want to read downstairs. Am I worrying? No! It's a warm, pleasant, quirky place and the poetry and also the company, on this evening anyway, were superb. Sally Richards Nicely I already knew I loved Sally's poetry and I've study 'Stained Glass' about 15 occasions now but I'm still truly glad I attended the release. I've said recently that I am not that mad about poetry readings but I will now qualify that statement: I favor readings by poets who are proficient at reading. Sally brought the poems alive, really seemed to be living them instead of reciting them. Totally absorbing and I wish she'd had time for you to read the whole book. Catherine Tate Who the heck is Catherine Tate you might be saying. Well, here's why I understand the answer to that: Steve Mann's reading was the very first one I've ever seen in which the reader begins, having never observed his book before, by upgrading to the mike, turning the book again and again in his hands with a good air of Christmas morning within his expression, grins at the actual audience and says 'it's eco-friendly! ' then looks at their publisher and says, 'it's a pleasant book, thanks. 'The publisher may be the first I've ever seen that, when thanked from the stage in a reading can only grunt within reply. He's still in shock as well as whimpering to himself having emerged in the printers with a box associated with books, leapt into a taxi and yelled 'get me towards the Poetry Café by nine o'clock otherwise! ' and then suffered the taxi ride so hair-raising how the driver banged his own directly the windscreen several times. Anyway, singer-songwriter Catherine Tate had been launching her CD 'Leaky Umbrellas' which night, and kindly did a collection that started when Steve have been due to read, entertained all of us with sweetly finger-picked guitar, a great voice and some quirky lyrics, and stepped down with good grace as soon as the books arrived. So... Steve Mann The actual launching of 'cui bono? ' took all of us rather by surprise, Steve being a modest type who didn't say a great deal about it before hand as well as his publisher doing a hell-for-leather run to find the book out in time for that Betterton Street launch. Nevertheless it is a well-produced book and Steve's a good accomplished reader. His work can be difficult to take at first read but their placid, good-natured delivery brings this alive. An enjoyable performance, and one that left me delightedly reading snatches from the work out loud on the train completely home. Excellent! Find out much more about Sally and Steve from Booksy. Read a review of the first book, 'Waiting for Gulliver' from Earlyworks Press. Find away more about Survivors' Poetry here.

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